{"id":602,"date":"2021-11-04T20:00:36","date_gmt":"2021-11-04T20:00:36","guid":{"rendered":"http:\/\/sslorgmgmt.tonilamotta.com\/?page_id=602"},"modified":"2021-11-04T20:00:36","modified_gmt":"2021-11-04T20:00:36","slug":"integral-at-the-movies","status":"publish","type":"page","link":"https:\/\/sslorgmgmt.tonilamotta.com\/index.php\/integral-theory\/integral-at-the-movies\/","title":{"rendered":"Integral at the Movies"},"content":{"rendered":"<div class=\"x-section e345107-1 m7eab-0 m7eab-1 m7eab-2 m7eab-3\">\n<div class=\"x-row e345107-2 m7eab-g m7eab-h m7eab-i m7eab-j\">\n<div class=\"x-row-inner\">\n<div class=\"x-col e345107-3 m7eab-x\">\n<div class=\"x-text e345107-5 m7eab-z m7eab-10 m7eab-11 m7eab-12 m7eab-13\">\n<h1>What Are the Stages of Development?<\/h1>\n<p>Take a cinematic journey through the major stages of human development, using a series of 22 carefully-curated film clips (and more than 30 video games) to illustrate some of the most important qualities of each stage.<\/p>\n<p>Because these stages are so difficult to point to in our immediate experience, we\u2019ve compiled a series of short clips from some very popular films and games, each of which demonstrates some aspect of that stage \u2014 the view from that stage, the values of that stage, or the general leadership styles associated with that stage \u2014 offering some well-known cultural reference points to help flesh out our understanding of these stages of growth and development. What&#8217;s more, these clips will help demonstrate how integral ideas can be applied to any medium or genre, while deepening our appreciation and enactment of our most treasured cultural artifacts.<\/p>\n<p>As you watch, try to remember: all of this is actually happening inside of you. You may be viewing these film clips on a screen in front of you, but the stages we explore here are all alive within you right now, either as capacities you\u2019ve already developed or as potentials that are waiting to be unleashed. \u2028\u2028The Witness itself is the ultimate movie screen \u2014 the effortless, simple feeling of being behind all of our perceptions. All of this is just a fleeting dance of light, sound, and shadow projected within your consciousness against that empty, all-pervasive awareness.<\/p>\n<p><strong>Note:<\/strong>\u00a0The films and characters below are typically far too complex to be described by a single stage, which is why the qualities below are only being applied to the specific film clips, and not to the rest of the film, character arc, or filmmaker&#8217;s perspective. We are not saying\u00a0<em>Lord of the Rings<\/em>\u00a0is a &#8220;magenta movie&#8221;, for example, or that Gandalf a &#8220;magenta character&#8221;, because both would include multiple combinations of views, values, and ideas from multiple different stages. We are focusing on specific moments here that distill the essence of each of these stages, and not making judgments on the rest of the films they are excerpted from.<\/p>\n<p>Meanwhile, because it&#8217;s difficult to focus on a single &#8220;scene&#8221; from video games, for these examples we looked at three separate categories for our analysis \u2014 a) the surface content and world-building of the game, b) the general themes and storytelling perspectives, and c) the gameplay mechanics themselves, which roughly correlate to views, values, and cognition.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"x-section e345107-6 m7eab-0 m7eab-1 m7eab-4 m7eab-5 m7eab-6\">\n<div class=\"x-row e345107-7 m7eab-g m7eab-h m7eab-j m7eab-k m7eab-l\">\n<div class=\"x-row-inner\">\n<div class=\"x-col e345107-8 m7eab-x\">\n<div class=\"x-text e345107-9 m7eab-z m7eab-10 m7eab-12 m7eab-13 m7eab-14 m7eab-15 m7eab-16\">\n<h3>Crimson (archaic)<\/h3>\n<\/div>\n<hr class=\"x-line e345107-10 m7eab-1m m7eab-1n\" \/>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"x-row e345107-11 m7eab-g m7eab-h m7eab-i m7eab-j\">\n<div class=\"x-row-inner\">\n<div class=\"x-col e345107-12 m7eab-x\">\n<div class=\"x-text e345107-13 m7eab-10 m7eab-11 m7eab-12 m7eab-13 m7eab-17 m7eab-18 m7eab-19\">\n<p><strong>Cognitive:<\/strong>\u00a0Sensorimotor\u00a0<strong>\u00a0\u2022\u00a0 Worldview:<\/strong>\u00a0Archaic\u00a0<strong>\u00a0\u2022\u00a0 Values:<\/strong>\u00a0Survival<\/p>\n<p>The Crimson altitude (alternatively known as &#8220;infrared&#8221;, or &#8220;beige&#8221; in Spiral Dynamics) signifies a degree of development that is in many ways imbedded in nature, body, and the gross realm in general. Crimson altitude exhibits an archaic worldview, basic physiological needs (food, water, shelter, etc.), a self-sense that is minimally differentiated from its environment, and is in nearly all ways oriented towards physical survival. Although present in infants, Crimson is rarely seen in adults except in cases of famine, natural disasters, or other catastrophic events. Crimson is also used as a kind of catch-all term for many earlier evolutionary stages and drives.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"x-row e345107-14 m7eab-g m7eab-k m7eab-m m7eab-n m7eab-o m7eab-p m7eab-q\">\n<div class=\"x-row-inner\">\n<div class=\"x-col e345107-15 m7eab-x\">\n<div class=\"x-text e345107-16 m7eab-z m7eab-10 m7eab-11 m7eab-12 m7eab-13\">\n<div class=\"videoWrapper\"><iframe src=\"https:\/\/player.vimeo.com\/video\/638802880?color=31a3b7&amp;title=0&amp;byline=0&amp;portrait=0\" width=\"1200\" height=\"675\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\"><\/iframe><\/div>\n<\/div>\n<\/div>\n<div class=\"x-col e345107-17 m7eab-x\">\n<div class=\"x-text e345107-18 m7eab-z m7eab-10 m7eab-11 m7eab-1a m7eab-1b m7eab-1c\">\n<h3>The Quest for Fire (1981)<\/h3>\n<p>The human story begins with the Crimson stage, a period when we begin to use our new, comically oversized brains in order to find new ways to live, new ways to think, new ways to communicate, and new ways to manipulate our environment. The dawn of the individuated self.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"x-row e345107-19 m7eab-g m7eab-i m7eab-m m7eab-n m7eab-p m7eab-q\">\n<div class=\"x-row-inner\">\n<div class=\"x-col e345107-20 m7eab-x\">\n<div class=\"x-text e345107-21 m7eab-z m7eab-10 m7eab-11 m7eab-12 m7eab-13\">\n<div class=\"videoWrapper\"><iframe src=\"https:\/\/player.vimeo.com\/video\/641644259?color=31a3b7&amp;title=0&amp;byline=0&amp;portrait=0\" width=\"1200\" height=\"675\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\"><\/iframe><\/div>\n<\/div>\n<\/div>\n<div class=\"x-col e345107-22 m7eab-x\">\n<div class=\"x-text e345107-23 m7eab-z m7eab-10 m7eab-11 m7eab-1a m7eab-1b m7eab-1c\">\n<h3>BONUS: Crimson Video Games<\/h3>\n<p>The &#8220;survival&#8221; genre of video games typically features Crimson qualities. However, because most of these games tend to focus on content and themes from later stages, we decided not to include them in this segment. Instead, Corey deVos and Ryan Oelke use two other games to illustrate the Crimson stage \u2014 a neolithic city-builder called\u00a0<strong>Dawn of Man<\/strong>, as well as the original game about food and survival:\u00a0<strong>Pac-Man<\/strong>.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"x-section e345107-24 m7eab-1 m7eab-4 m7eab-5 m7eab-7 m7eab-8\">\n<div class=\"x-row e345107-25 m7eab-g m7eab-h m7eab-j m7eab-k m7eab-l\">\n<div class=\"x-row-inner\">\n<div class=\"x-col e345107-26 m7eab-x\">\n<div class=\"x-text e345107-27 m7eab-z m7eab-10 m7eab-12 m7eab-13 m7eab-14 m7eab-15 m7eab-1d\">\n<h3>Magenta (magic)<\/h3>\n<\/div>\n<hr class=\"x-line e345107-28 m7eab-1m m7eab-1o\" \/>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"x-row e345107-29 m7eab-g m7eab-h m7eab-i m7eab-j\">\n<div class=\"x-row-inner\">\n<div class=\"x-col e345107-30 m7eab-x\">\n<div class=\"x-text e345107-31 m7eab-10 m7eab-11 m7eab-12 m7eab-13 m7eab-17 m7eab-18 m7eab-1e\">\n<p><strong>Cognitive:<\/strong>\u00a0Preoperational (symbolic)\u00a0<strong>\u00a0\u2022 \u00a0Worldview:<\/strong>\u00a0Magical\u00a0<strong>\u00a0\u2022\u00a0 Values:<\/strong>\u00a0Magic-animistic (&#8220;kin spirits&#8221;)<\/p>\n<p>Magenta Altitude began about 50,000 years ago, and tends to be the home of egocentric drives, a magical worldview, and impulsiveness. It is expressed through magic\/animism, kin-spirits, and such. Young children primarily operate with a magenta worldview. Magenta in any line of development is fundamental, or \u201csquare one\u201d for any and all new tasks. Magenta emotions and cognition can be seen driving such cultural phenomena as superhero-themed comic books or movies.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"x-row e345107-32 m7eab-g m7eab-i m7eab-m m7eab-p m7eab-q m7eab-r\">\n<div class=\"x-row-inner\">\n<div class=\"x-col e345107-33 m7eab-x\">\n<div class=\"x-text e345107-34 m7eab-z m7eab-10 m7eab-11 m7eab-12 m7eab-13\">\n<div class=\"videoWrapper\"><iframe src=\"https:\/\/player.vimeo.com\/video\/638802918?color=31a3b7&amp;title=0&amp;byline=0&amp;portrait=0\" width=\"1200\" height=\"675\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\"><\/iframe><\/div>\n<\/div>\n<\/div>\n<div class=\"x-col e345107-35 m7eab-x\">\n<div class=\"x-text e345107-36 m7eab-z m7eab-10 m7eab-11 m7eab-1b m7eab-1c m7eab-1f\">\n<h3><strong>Fantasia<\/strong>\u00a0(1940)<\/h3>\n<p>Magic spells, inanimate objects coming to life, waltzing rodents wearing pointy wizard hats \u2014 Fantasia is perfect encapsulation of the childish delights of the Magenta stage.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"x-row x-container max width e345107-37 m7eab-g m7eab-i m7eab-m m7eab-p m7eab-q m7eab-r\">\n<div class=\"x-row-inner\">\n<div class=\"x-col e345107-38 m7eab-x\">\n<div class=\"x-text e345107-39 m7eab-z m7eab-10 m7eab-11 m7eab-12 m7eab-13\">\n<div class=\"videoWrapper\"><iframe src=\"https:\/\/player.vimeo.com\/video\/638802948?color=31a3b7&amp;title=0&amp;byline=0&amp;portrait=0\" width=\"1200\" height=\"675\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\"><\/iframe><\/div>\n<\/div>\n<\/div>\n<div class=\"x-col e345107-40 m7eab-x\">\n<div class=\"x-text e345107-41 m7eab-z m7eab-10 m7eab-11 m7eab-1b m7eab-1c m7eab-1f\">\n<h3><strong>The Neverending Story<\/strong>\u00a0(1984)<\/h3>\n<p>There are many forms of magical thinking that are prevalent at the Magenta stage, including things like wish fulfillment and \u201cword magic\u201d, the idea that words have a supernatural ability to directly alter physical reality. Both are central to the plot of The Neverending Story.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"x-row x-container max width e345107-42 m7eab-g m7eab-h m7eab-k m7eab-o m7eab-p m7eab-q\">\n<div class=\"x-row-inner\">\n<div class=\"x-col e345107-43 m7eab-x\">\n<div class=\"x-text e345107-44 m7eab-z m7eab-10 m7eab-11 m7eab-12 m7eab-13\">\n<div class=\"videoWrapper\"><iframe src=\"https:\/\/player.vimeo.com\/video\/638881619?color=31a3b7&amp;title=0&amp;byline=0&amp;portrait=0\" width=\"1200\" height=\"675\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\"><\/iframe><\/div>\n<\/div>\n<\/div>\n<div class=\"x-col e345107-45 m7eab-x\">\n<div class=\"x-text e345107-46 m7eab-z m7eab-10 m7eab-11 m7eab-1b m7eab-1c m7eab-1f\">\n<h3><strong>The Fellowship of the Ring<\/strong>\u00a0(2001)<\/h3>\n<p>Magenta is often the bedrock of fantasy stories like Lord of the Rings \u2014 though these stories often include content and themes from other stages as well, such as Red lust for power, Amber concepts of good and evil, threats of Orange industrial destruction, and Green fondness for the long poetic ramblings of talking trees.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"x-row x-container max width e345107-47 m7eab-g m7eab-h m7eab-i m7eab-p m7eab-q\">\n<div class=\"x-row-inner\">\n<div class=\"x-col e345107-48 m7eab-x\">\n<div class=\"x-text e345107-49 m7eab-z m7eab-10 m7eab-11 m7eab-12 m7eab-13\">\n<div class=\"videoWrapper\"><iframe src=\"https:\/\/player.vimeo.com\/video\/641644925?color=31a3b7&amp;title=0&amp;byline=0&amp;portrait=0\" width=\"1200\" height=\"675\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\"><\/iframe><\/div>\n<\/div>\n<\/div>\n<div class=\"x-col e345107-50 m7eab-x\">\n<div class=\"x-text e345107-51 m7eab-z m7eab-10 m7eab-11 m7eab-1b m7eab-1c m7eab-1f\">\n<h3><strong>BONUS: Magenta Video Games<\/strong><\/h3>\n<p>Fantasy-based role-playing games and superhero-themed games often include qualities from the Magenta stage. Watch as Corey and Ryan take a look at some of these games, including\u00a0<strong>Spider-Man: Miles Morales<\/strong>,\u00a0<strong>The Witcher 3<\/strong>,\u00a0<strong>Horizon: Zero Dawn<\/strong>,\u00a0<strong>Divinity: Original Sin<\/strong>,\u00a0<strong>Pools of Radiance<\/strong>, and\u00a0<strong>Wizard&#8217;s Crown<\/strong>.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"x-section e345107-52 m7eab-1 m7eab-4 m7eab-5 m7eab-7 m7eab-9\">\n<div class=\"x-row e345107-53 m7eab-g m7eab-h m7eab-j m7eab-k m7eab-l\">\n<div class=\"x-row-inner\">\n<div class=\"x-col e345107-54 m7eab-x\">\n<div class=\"x-text e345107-55 m7eab-10 m7eab-11 m7eab-12 m7eab-13 m7eab-17 m7eab-18 m7eab-1g\">\n<h3>Red (egoic)<\/h3>\n<\/div>\n<hr class=\"x-line e345107-56 m7eab-1m m7eab-1p\" \/>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"x-row e345107-57 m7eab-g m7eab-h m7eab-j m7eab-k m7eab-o\">\n<div class=\"x-row-inner\">\n<div class=\"x-col e345107-58 m7eab-x\">\n<div class=\"x-text e345107-59 m7eab-z m7eab-10 m7eab-11 m7eab-12 m7eab-13\">\n<p><strong>Cognitive:<\/strong>\u00a0Preoperational (conceptual)\u00a0<strong>\u00a0\u2022\u00a0 Worldview:<\/strong>\u00a0Early mythic\u00a0<strong>\u00a0\u2022\u00a0 Values:<\/strong>\u00a0Egocentric (&#8220;power gods&#8221;)<\/p>\n<p>The Red Altitude began about 10,000 years ago, and is the marker of egocentric drives based on power, where \u201cmight makes right,\u201d where aggression rules, and where there is a limited capacity to take the role of an \u201cother.\u201d Red impulses are classically seen in grade school and early high school, where bullying, teasing, and the like are the norm. Red motivations can be seen culturally in Ultimate Fighting contests, which have no fixed rules (fixed rules come into being at the next Altitude, Amber), teenage rebellion and the movies that cater to it (The Fast and the Furious), gang dynamics (where the stronger rule the weaker), and the like.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"x-row x-container max width e345107-60 m7eab-g m7eab-h m7eab-k m7eab-o m7eab-p m7eab-q\">\n<div class=\"x-row-inner\">\n<div class=\"x-col e345107-61 m7eab-x\">\n<div class=\"x-text e345107-62 m7eab-z m7eab-10 m7eab-11 m7eab-12 m7eab-13\">\n<div class=\"videoWrapper\"><iframe src=\"https:\/\/player.vimeo.com\/video\/638802973?color=31a3b7&amp;title=0&amp;byline=0&amp;portrait=0\" width=\"1200\" height=\"675\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\"><\/iframe><\/div>\n<\/div>\n<\/div>\n<div class=\"x-col e345107-63 m7eab-x\">\n<div class=\"x-text e345107-64 m7eab-z m7eab-10 m7eab-11 m7eab-1b m7eab-1c m7eab-1f\">\n<h3><strong>Conan the Barbarian<\/strong>\u00a0(1982)<\/h3>\n<p>Arnold Schwarzenegger offers one of the most archetypal summaries of Red appetites ever filmed.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"x-row x-container max width e345107-65 m7eab-g m7eab-h m7eab-k m7eab-o m7eab-p m7eab-q\">\n<div class=\"x-row-inner\">\n<div class=\"x-col e345107-66 m7eab-x\">\n<div class=\"x-text e345107-67 m7eab-z m7eab-10 m7eab-11 m7eab-12 m7eab-13\">\n<div class=\"videoWrapper\"><iframe src=\"https:\/\/player.vimeo.com\/video\/638802990?color=31a3b7&amp;title=0&amp;byline=0&amp;portrait=0\" width=\"1200\" height=\"675\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\"><\/iframe><\/div>\n<\/div>\n<\/div>\n<div class=\"x-col e345107-68 m7eab-x\">\n<div class=\"x-text e345107-69 m7eab-z m7eab-10 m7eab-11 m7eab-1b m7eab-1c m7eab-1f\">\n<h3><strong>Mad Max: Fury Road<\/strong>\u00a0(2015)<\/h3>\n<p>Charlize Theron shows a rare example of healthy, situationally-appropriate Red leadership. It&#8217;s a wasteland out there. Want to live? Then do what I say.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"x-row x-container max width e345107-70 m7eab-g m7eab-h m7eab-k m7eab-o m7eab-p m7eab-q\">\n<div class=\"x-row-inner\">\n<div class=\"x-col e345107-71 m7eab-x\">\n<div class=\"x-text e345107-72 m7eab-z m7eab-10 m7eab-11 m7eab-12 m7eab-13\">\n<div class=\"videoWrapper\"><iframe src=\"https:\/\/player.vimeo.com\/video\/638803025?color=31a3b7&amp;title=0&amp;byline=0&amp;portrait=0\" width=\"1200\" height=\"675\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\"><\/iframe><\/div>\n<\/div>\n<\/div>\n<div class=\"x-col e345107-73 m7eab-x\">\n<div class=\"x-text e345107-74 m7eab-z m7eab-10 m7eab-11 m7eab-1b m7eab-1c m7eab-1f\">\n<h3><strong>Gangs of New York<\/strong>\u00a0(2002)<\/h3>\n<p>Fear is one of the primary leadership strategies used by Red, menacingly demonstrated here by Daniel Day Lewis.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"x-row x-container max width e345107-75 m7eab-g m7eab-h m7eab-k m7eab-o m7eab-p m7eab-q\">\n<div class=\"x-row-inner\">\n<div class=\"x-col e345107-76 m7eab-x\">\n<div class=\"x-text e345107-77 m7eab-z m7eab-10 m7eab-11 m7eab-12 m7eab-13\">\n<div class=\"videoWrapper\"><iframe src=\"https:\/\/player.vimeo.com\/video\/641648650?color=31a3b7&amp;title=0&amp;byline=0&amp;portrait=0\" width=\"1200\" height=\"675\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\"><\/iframe><\/div>\n<\/div>\n<\/div>\n<div class=\"x-col e345107-78 m7eab-x\">\n<div class=\"x-text e345107-79 m7eab-z m7eab-10 m7eab-11 m7eab-1b m7eab-1c m7eab-1f\">\n<h3><strong>BONUS: Red Video Games<\/strong><\/h3>\n<p>First-person shooters are often associated with the Red stage, where the primary goal is to dominate anything and everything on the screen. Watch as Ryan and Corey look at several examples of Red video games, including\u00a0<strong>Fortnite<\/strong>,\u00a0<strong>Wolfenstein<\/strong>, the\u00a0<strong>Grand Theft Auto<\/strong>\u00a0series,\u00a0<strong>Assassin&#8217;s Creed<\/strong>, and the game that kicked off the genre,\u00a0<strong>Doom<\/strong>.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"x-section e345107-80 m7eab-1 m7eab-4 m7eab-5 m7eab-7 m7eab-a\">\n<div class=\"x-row e345107-81 m7eab-g m7eab-h m7eab-j m7eab-k m7eab-l\">\n<div class=\"x-row-inner\">\n<div class=\"x-col e345107-82 m7eab-x\">\n<div class=\"x-text e345107-83 m7eab-10 m7eab-11 m7eab-12 m7eab-13 m7eab-17 m7eab-18 m7eab-1g\">\n<h3>Amber (mythic)<\/h3>\n<\/div>\n<hr class=\"x-line e345107-84 m7eab-1m m7eab-1q\" \/>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"x-row e345107-85 m7eab-g m7eab-h m7eab-j m7eab-k m7eab-o\">\n<div class=\"x-row-inner\">\n<div class=\"x-col e345107-86 m7eab-x\">\n<div class=\"x-text e345107-87 m7eab-z m7eab-10 m7eab-11 m7eab-12 m7eab-13\">\n<p><strong>Cognitive:<\/strong>\u00a0Concrete Operational\u00a0<strong>\u00a0\u2022\u00a0 Worldview:<\/strong>\u00a0Mythic\u00a0<strong>\u00a0\u2022\u00a0 Values:<\/strong>\u00a0Absolutistic (&#8220;truth force&#8221;)<\/p>\n<p>The Amber Altitude began about 5,000 years ago, and indicates a worldview that is traditionalist and mythic in nature\u2014and mythic worldviews are almost always held as absolute (this stage of development is often called absolutistic). Instead of \u201cmight makes right,\u201d amber ethics are more oriented to the group, but one that extends only to \u201cmy\u201d group. Grade school and high school kids usually exhibit amber motivations to \u201cfit in.\u201d Amber ethics help to control the impulsiveness and narcissism of red. Culturally, amber worldviews can be seen in fundamentalism (my God is right no matter what); extreme patriotism (my country is right no matter what); and ethnocentrism (my people are right no matter what).<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"x-row x-container max width e345107-88 m7eab-g m7eab-h m7eab-k m7eab-o m7eab-p m7eab-q\">\n<div class=\"x-row-inner\">\n<div class=\"x-col e345107-89 m7eab-x\">\n<div class=\"x-text e345107-90 m7eab-z m7eab-10 m7eab-11 m7eab-12 m7eab-13\">\n<div class=\"videoWrapper\"><iframe src=\"https:\/\/player.vimeo.com\/video\/638816176?color=31a3b7&amp;title=0&amp;byline=0&amp;portrait=0\" width=\"1200\" height=\"675\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\"><\/iframe><\/div>\n<\/div>\n<\/div>\n<div class=\"x-col e345107-91 m7eab-x\">\n<div class=\"x-text e345107-92 m7eab-z m7eab-10 m7eab-11 m7eab-1b m7eab-1c m7eab-1f\">\n<h3><strong>Casablanca<\/strong>\u00a0(1942)<\/h3>\n<p>This famous &#8220;dueling of the anthems&#8221; scene demonstrates healthy Amber nationalism as a Nazi song is drowned out by a tearful cast (which included real-life refugees from recent Nazi invasions) singing &#8220;La Marseillaise&#8221;.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"x-row x-container max width e345107-93 m7eab-g m7eab-h m7eab-k m7eab-o m7eab-p m7eab-q m7eab-s\">\n<div class=\"x-row-inner\">\n<div class=\"x-col e345107-94 m7eab-x\">\n<div class=\"x-text e345107-95 m7eab-z m7eab-10 m7eab-11 m7eab-12 m7eab-13\">\n<div class=\"videoWrapper\"><iframe src=\"https:\/\/player.vimeo.com\/video\/638816196?color=31a3b7&amp;title=0&amp;byline=0&amp;portrait=0\" width=\"1200\" height=\"675\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\"><\/iframe><\/div>\n<\/div>\n<\/div>\n<div class=\"x-col e345107-96 m7eab-x\">\n<div class=\"x-text e345107-97 m7eab-z m7eab-10 m7eab-11 m7eab-1b m7eab-1c m7eab-1f\">\n<h3><strong>A Few Good Men<\/strong>\u00a0(1992)<\/h3>\n<p>Having a \u201ccode\u201d \u2014 a strict hierarchy of rules, roles, beliefs, and boundaries that we must always adhere to, usually reinforced by whatever religious, political, military, or other group we may be part of \u2014 is one of the defining characteristics at the Amber stage of development.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"x-row x-container max width e345107-98 m7eab-g m7eab-h m7eab-k m7eab-o m7eab-p m7eab-q m7eab-s\">\n<div class=\"x-row-inner\">\n<div class=\"x-col e345107-99 m7eab-x\">\n<div class=\"x-text e345107-100 m7eab-z m7eab-10 m7eab-11 m7eab-12 m7eab-13\">\n<div class=\"videoWrapper\"><iframe src=\"https:\/\/player.vimeo.com\/video\/638816267?color=31a3b7&amp;title=0&amp;byline=0&amp;portrait=0\" width=\"1200\" height=\"675\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\"><\/iframe><\/div>\n<\/div>\n<\/div>\n<div class=\"x-col e345107-101 m7eab-x\">\n<div class=\"x-text e345107-102 m7eab-z m7eab-10 m7eab-11 m7eab-1b m7eab-1c m7eab-1f\">\n<h3><strong>Fences<\/strong>\u00a0(2016)<\/h3>\n<p>Denzel Washington shows what Amber leadership can look like within a family environment. Amber hierarchies are typically known as &#8220;dominator hierarchies&#8221; with a very rigid chain of command, where respect and discipline is expected, and where power is only exercised from the top down.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"x-row x-container max width e345107-103 m7eab-g m7eab-h m7eab-k m7eab-o m7eab-p m7eab-q m7eab-s\">\n<div class=\"x-row-inner\">\n<div class=\"x-col e345107-104 m7eab-x\">\n<div class=\"x-text e345107-105 m7eab-z m7eab-10 m7eab-11 m7eab-12 m7eab-13\">\n<div class=\"videoWrapper\"><iframe src=\"https:\/\/player.vimeo.com\/video\/641668591?color=31a3b7&amp;title=0&amp;byline=0&amp;portrait=0\" width=\"1200\" height=\"675\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\"><\/iframe><\/div>\n<\/div>\n<\/div>\n<div class=\"x-col e345107-106 m7eab-x\">\n<div class=\"x-text e345107-107 m7eab-z m7eab-10 m7eab-11 m7eab-1b m7eab-1c m7eab-1f\">\n<h3><strong>BONUS: Amber Video Games<\/strong><\/h3>\n<p>The Amber stage is often the home of team-based multiplayer games such as\u00a0<strong>Battlefield 5<\/strong>\u00a0and\u00a0<strong>Destiny 2<\/strong>, as well as some historic-based games such as the &#8220;feudalism simulator&#8221;\u00a0<strong>Crusader Kings 3<\/strong>. The Amber stage is also associated with concrete-operational thinking, embodied by the classic game\u00a0<strong>Tetris<\/strong>, as Ryan and Corey discuss here.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"x-section e345107-108 m7eab-1 m7eab-4 m7eab-5 m7eab-7 m7eab-b\">\n<div class=\"x-row e345107-109 m7eab-g m7eab-h m7eab-j m7eab-k m7eab-l\">\n<div class=\"x-row-inner\">\n<div class=\"x-col e345107-110 m7eab-x\">\n<div class=\"x-text e345107-111 m7eab-10 m7eab-11 m7eab-12 m7eab-13 m7eab-17 m7eab-18 m7eab-1g\">\n<h3>Orange (rational)<\/h3>\n<\/div>\n<hr class=\"x-line e345107-112 m7eab-1m m7eab-1r\" \/>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"x-row e345107-113 m7eab-g m7eab-h m7eab-j m7eab-k m7eab-o\">\n<div class=\"x-row-inner\">\n<div class=\"x-col e345107-114 m7eab-x\">\n<div class=\"x-text e345107-115 m7eab-z m7eab-10 m7eab-11 m7eab-12 m7eab-13\">\n<p><strong>Cognitive:<\/strong>\u00a0Formal Operational\u00a0<strong>\u00a0\u2022\u00a0 Worldview:<\/strong>\u00a0Rational\u00a0<strong>\u00a0\u2022\u00a0 Values:<\/strong>\u00a0Multiplistic (&#8220;strive drive&#8221;)<\/p>\n<p>The Orange Altitude began about 500 years ago, during the period known as the European Enlightenment. In an orange worldview, the individual begins to move away from the amber conformity that reifies the views of one\u2019s religion, nation, or tribe. The orange worldview often begins to emerge in late high school, college, or adulthood. Culturally, the orange worldview realizes that \u201ctruth is not delivered; it is discovered,\u201d spurring the great advances of science and formal rationality. Orange ethics begin to embrace all people, \u201cWe hold these truths to be self-evident, that all men are created equal\u2026.\u201d Ayn Rand\u2019s Objectivism, the US Bill of Rights, and many of the laws written to protect individual freedom all flow from an orange worldview.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"x-row x-container max width e345107-116 m7eab-g m7eab-h m7eab-k m7eab-o m7eab-p m7eab-q\">\n<div class=\"x-row-inner\">\n<div class=\"x-col e345107-117 m7eab-x\">\n<div class=\"x-text e345107-118 m7eab-z m7eab-10 m7eab-11 m7eab-12 m7eab-13\">\n<div class=\"videoWrapper\"><iframe src=\"https:\/\/player.vimeo.com\/video\/638816214?color=31a3b7&amp;title=0&amp;byline=0&amp;portrait=0\" width=\"1200\" height=\"675\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\"><\/iframe><\/div>\n<\/div>\n<\/div>\n<div class=\"x-col e345107-119 m7eab-x\">\n<div class=\"x-text e345107-120 m7eab-z m7eab-10 m7eab-11 m7eab-13 m7eab-1h\">\n<h3><strong>The Martian<\/strong>\u00a0(2015)<\/h3>\n<p>Matt Damon models some of the most positive qualities of Orange \u2014 the heart of human ingenuity, the spirit of discovery, and the capacity to &#8220;science the s**t&#8221; out of our problems.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"x-row x-container max width e345107-121 m7eab-g m7eab-h m7eab-k m7eab-o m7eab-p m7eab-q\">\n<div class=\"x-row-inner\">\n<div class=\"x-col e345107-122 m7eab-x\">\n<div class=\"x-text e345107-123 m7eab-z m7eab-10 m7eab-11 m7eab-12 m7eab-13\">\n<div class=\"videoWrapper\"><iframe src=\"https:\/\/player.vimeo.com\/video\/638816243?color=31a3b7&amp;title=0&amp;byline=0&amp;portrait=0\" width=\"1200\" height=\"675\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\"><\/iframe><\/div>\n<\/div>\n<\/div>\n<div class=\"x-col e345107-124 m7eab-x\">\n<div class=\"x-text e345107-125 m7eab-z m7eab-10 m7eab-11 m7eab-13 m7eab-1h\">\n<h3><strong>Star Trek: The Next Generation<\/strong>\u00a0(1989)<\/h3>\n<p>Captain Picard challenges the Amber chain of command to make an impassioned defense for universal humanitarian rights, and explains why men, women, and androids of Orange conscience cannot blindly follow orders.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"x-row x-container max width e345107-126 m7eab-g m7eab-h m7eab-k m7eab-o m7eab-p m7eab-q\">\n<div class=\"x-row-inner\">\n<div class=\"x-col e345107-127 m7eab-x\">\n<div class=\"x-text e345107-128 m7eab-z m7eab-10 m7eab-11 m7eab-12 m7eab-13\">\n<div class=\"videoWrapper\"><iframe src=\"https:\/\/player.vimeo.com\/video\/638816230?color=31a3b7&amp;title=0&amp;byline=0&amp;portrait=0\" width=\"1200\" height=\"675\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\"><\/iframe><\/div>\n<\/div>\n<\/div>\n<div class=\"x-col e345107-129 m7eab-x\">\n<div class=\"x-text e345107-130 m7eab-z m7eab-10 m7eab-11 m7eab-13 m7eab-1h\">\n<h3><strong>Network<\/strong>\u00a0(1976)<\/h3>\n<p>Ned Beatty delivers a thunderous sermon on the brave new world that Orange created \u2014 one that is not founded upon Amber notions such as race or religion or national boundaries, but on the almighty dollar itself.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"x-row x-container max width e345107-131 m7eab-g m7eab-h m7eab-k m7eab-o m7eab-p m7eab-q\">\n<div class=\"x-row-inner\">\n<div class=\"x-col e345107-132 m7eab-x\">\n<div class=\"x-text e345107-133 m7eab-z m7eab-10 m7eab-11 m7eab-12 m7eab-13\">\n<div class=\"videoWrapper\"><iframe src=\"https:\/\/player.vimeo.com\/video\/641680537?color=31a3b7&amp;title=0&amp;byline=0&amp;portrait=0\" width=\"1200\" height=\"675\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\"><\/iframe><\/div>\n<\/div>\n<\/div>\n<div class=\"x-col e345107-134 m7eab-x\">\n<div class=\"x-text e345107-135 m7eab-z m7eab-10 m7eab-11 m7eab-13 m7eab-1h\">\n<h3><strong>BONUS: Orange Video Games<\/strong><\/h3>\n<p>Strategy, simulation, and sandbox games are typically associated with the Orange stage of development, and often emphasize a &#8220;self-authoring&#8221; play style where the goals and win conditions are determined entirely by the player. Watch as Corey and Ryan discuss over a half dozen of these games, including\u00a0<strong>Minecraft<\/strong>,\u00a0<strong>Factorio<\/strong>,\u00a0<strong>Kerbal Space Program<\/strong>,\u00a0<strong>The Sims<\/strong>,\u00a0<strong>SimCity<\/strong>,\u00a0<strong>City Skylines<\/strong>, the\u00a0<strong>Civilization<\/strong>\u00a0series, and\u00a0<strong>No Man&#8217;s Sky<\/strong>.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"x-section e345107-136 m7eab-1 m7eab-4 m7eab-5 m7eab-7 m7eab-c\">\n<div class=\"x-row e345107-137 m7eab-g m7eab-h m7eab-j m7eab-k m7eab-l\">\n<div class=\"x-row-inner\">\n<div class=\"x-col e345107-138 m7eab-x\">\n<div class=\"x-text e345107-139 m7eab-10 m7eab-11 m7eab-12 m7eab-13 m7eab-17 m7eab-18 m7eab-1g\">\n<h3>Green (pluralistic)<\/h3>\n<\/div>\n<hr class=\"x-line e345107-140 m7eab-1m m7eab-1s\" \/>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"x-row e345107-141 m7eab-g m7eab-h m7eab-j m7eab-k m7eab-o\">\n<div class=\"x-row-inner\">\n<div class=\"x-col e345107-142 m7eab-x\">\n<div class=\"x-text e345107-143 m7eab-z m7eab-10 m7eab-11 m7eab-12 m7eab-13\">\n<p><strong>Cognitive:<\/strong>\u00a0Early vision-logic (meta-systemic)\u00a0<strong>\u00a0\u2022\u00a0 Worldview:<\/strong>\u00a0Pluralistic\u00a0<strong>\u00a0\u2022\u00a0 Values:<\/strong>\u00a0Relativistic (&#8220;human bond&#8221;)<\/p>\n<p>The Green Altitude began roughly 150 years ago, though it came into its fullest expression during the 1960\u2019s. Green worldviews are marked by pluralism, or the ability to see that there are multiple ways of seeing reality. If orange sees universal truths (\u201cAll men are created equal\u201d), green sees multiple universal truths\u2014different universals for different cultures. Green ethics continue, and radically broaden, the movement to embrace all people. A green statement might read, \u201cWe hold these truths to be self-evident, that all people are created equal, regardless of race, gender, class\u2026.\u201d Green ethics have given birth to the civil rights, feminist, and gay rights movements, as well as environmentalism.<\/p>\n<p>The green worldview\u2019s multiple perspectives give it room for greater compassion, idealism, and involvement, in its healthy form. Such qualities are seen by organizations such as the Sierra Club, Amnesty International, Union of Concerned Scientists, and Doctors Without Borders. In its unhealthy form green worldviews can lead to extreme relativism, where all beliefs are seen as relative and equally true, which can in turn lead to the nihilism, narcissism, irony, and meaninglessness exhibited by many of today\u2019s intellectuals, academics, and trend-setters\u2026 not to mention another \u201clost\u201d generation of students.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"x-row x-container max width e345107-144 m7eab-g m7eab-h m7eab-k m7eab-o m7eab-p m7eab-q\">\n<div class=\"x-row-inner\">\n<div class=\"x-col e345107-145 m7eab-x\">\n<div class=\"x-text e345107-146 m7eab-z m7eab-10 m7eab-11 m7eab-12 m7eab-13\">\n<div class=\"videoWrapper\"><iframe src=\"https:\/\/player.vimeo.com\/video\/638821222?color=31a3b7&amp;title=0&amp;byline=0&amp;portrait=0\" width=\"1200\" height=\"675\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\"><\/iframe><\/div>\n<\/div>\n<\/div>\n<div class=\"x-col e345107-147 m7eab-x\">\n<div class=\"x-text e345107-148 m7eab-z m7eab-10 m7eab-11 m7eab-13 m7eab-1h\">\n<h3><strong>Patch Adams<\/strong>\u00a0(1998)<\/h3>\n<p>Robin Williams makes a moving plea for medical institutions to begin relating to medical patients with dignity, to treat the whole person, and to emphasize wellness as much as illness \u2014 alll hallmarks of the green altitude.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"x-row x-container max width e345107-149 m7eab-g m7eab-h m7eab-k m7eab-p m7eab-q m7eab-t\">\n<div class=\"x-row-inner\">\n<div class=\"x-col e345107-150 m7eab-x\">\n<div class=\"x-text e345107-151 m7eab-z m7eab-10 m7eab-11 m7eab-12 m7eab-13\">\n<div class=\"videoWrapper\"><iframe src=\"https:\/\/player.vimeo.com\/video\/638821150?color=31a3b7&amp;title=0&amp;byline=0&amp;portrait=0\" width=\"1200\" height=\"675\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\"><\/iframe><\/div>\n<\/div>\n<\/div>\n<div class=\"x-col e345107-152 m7eab-x\">\n<div class=\"x-text e345107-153 m7eab-z m7eab-10 m7eab-11 m7eab-13 m7eab-1h\">\n<h3><strong>Jurassic Park<\/strong>\u00a0(1993)<\/h3>\n<p>Much of the ecological and humanitarian disaster of the modern age has been due to Orange excess and its reckless pursuit of innovation, achievement, and profit. Jeff Goldblum isn&#8217;t having any of it.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"x-row x-container max width e345107-154 m7eab-g m7eab-h m7eab-k m7eab-p m7eab-q m7eab-t\">\n<div class=\"x-row-inner\">\n<div class=\"x-col e345107-155 m7eab-x\">\n<div class=\"x-text e345107-156 m7eab-z m7eab-10 m7eab-11 m7eab-12 m7eab-13\">\n<div class=\"videoWrapper\"><iframe src=\"https:\/\/player.vimeo.com\/video\/638821264?color=31a3b7&amp;title=0&amp;byline=0&amp;portrait=0\" width=\"1200\" height=\"675\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\"><\/iframe><\/div>\n<\/div>\n<\/div>\n<div class=\"x-col e345107-157 m7eab-x\">\n<div class=\"x-text e345107-158 m7eab-z m7eab-10 m7eab-11 m7eab-13 m7eab-1h\">\n<h3><strong>Milk<\/strong>\u00a0(2008)<\/h3>\n<p>One of the most important gifts of Green is its capacity to discern, resist, and dismantle systems of oppression in the world, as seen in Sean Penn&#8217;s portrayal of gay rights icon Harvey Milk.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"x-row x-container max width e345107-159 m7eab-g m7eab-h m7eab-k m7eab-p m7eab-q m7eab-t\">\n<div class=\"x-row-inner\">\n<div class=\"x-col e345107-160 m7eab-x\">\n<div class=\"x-text e345107-161 m7eab-z m7eab-10 m7eab-11 m7eab-12 m7eab-13\">\n<div class=\"videoWrapper\"><iframe src=\"https:\/\/player.vimeo.com\/video\/641683579?color=31a3b7&amp;title=0&amp;byline=0&amp;portrait=0\" width=\"1200\" height=\"675\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\"><\/iframe><\/div>\n<\/div>\n<\/div>\n<div class=\"x-col e345107-162 m7eab-x\">\n<div class=\"x-text e345107-163 m7eab-z m7eab-10 m7eab-11 m7eab-13 m7eab-1h\">\n<h3><strong>BONUS: Green Video Games<\/strong><\/h3>\n<p>Interestingly, unlike most of the earlier stages, there do not seem to be any specific game genres that are strongly associated with the Green altitude. However, Green content and themes are very common in many of today&#8217;s games. Watch as Corey and Ryan discuss some of these games:\u00a0<strong>Animal Crossing<\/strong>,\u00a0<strong>BioShock<\/strong>,\u00a0<strong>Disco Elysium<\/strong>, and what was perhaps the prototypical postmodern game,\u00a0<strong>Metal Gear Solid 2<\/strong>.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"x-section e345107-164 m7eab-1 m7eab-4 m7eab-5 m7eab-7 m7eab-d\">\n<div class=\"x-row e345107-165 m7eab-g m7eab-h m7eab-j m7eab-k m7eab-l\">\n<div class=\"x-row-inner\">\n<div class=\"x-col e345107-166 m7eab-x\">\n<div class=\"x-text e345107-167 m7eab-10 m7eab-11 m7eab-12 m7eab-13 m7eab-17 m7eab-18 m7eab-1g\">\n<h3>Teal (integral)<\/h3>\n<\/div>\n<hr class=\"x-line e345107-168 m7eab-1m m7eab-1t\" \/>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"x-row e345107-169 m7eab-g m7eab-h m7eab-j m7eab-k m7eab-u\">\n<div class=\"x-row-inner\">\n<div class=\"x-col e345107-170 m7eab-x\">\n<div class=\"x-text e345107-171 m7eab-z m7eab-10 m7eab-11 m7eab-12 m7eab-13\">\n<p><strong>Cognitive:<\/strong>\u00a0Mid vision-logic (paradigmatic)\u00a0<strong>\u00a0\u2022\u00a0 Worldview:<\/strong>\u00a0Integral\u00a0<strong>\u00a0\u2022\u00a0 Values:<\/strong>\u00a0Systemic (&#8220;flex flow&#8221;)<\/p>\n<p>The Teal Altitude marks the beginning of an integral worldview, where pluralism and relativism are transcended and included into a more systematic whole. The transition from green to teal is also known as the transition from \u201c1st-tier\u201d values to \u201c2nd-tier\u201d values, the most immediate difference being the fact that each \u201c1st-tier\u201d value thinks it is the only truly correct value, while \u201c2nd-tier\u201d values recognize the importance of all preceding stages of development. Thus, the teal worldview honors the insights of the green worldview, but places it into a larger context that allows for healthy hierarchies, and healthy value distinctions.<\/p>\n<p>Perhaps most important, a teal worldview begins to see the process of development itself, acknowledging that each one of the previous stages (magenta through green) has an important role to play in the human experience. Teal consciousness sees that each of the previous stages reveals an important truth, and pulls them all together and integrates them without trying to change them to \u201cbe more like me,\u201d and without resorting to extreme cultural relativism (\u201call are equal\u201d). Teal worldviews do more than just see all points of view (that\u2019s a green worldview)\u2014it can see and honor them, but also critically evaluate them.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"x-row x-container max width e345107-172 m7eab-g m7eab-h m7eab-k m7eab-p m7eab-q m7eab-t\">\n<div class=\"x-row-inner\">\n<div class=\"x-col e345107-173 m7eab-x\">\n<div class=\"x-text e345107-174 m7eab-z m7eab-10 m7eab-11 m7eab-12 m7eab-13\">\n<div class=\"videoWrapper\"><iframe src=\"https:\/\/player.vimeo.com\/video\/499938539?color=31a3b7&amp;title=0&amp;byline=0&amp;portrait=0\" width=\"1200\" height=\"675\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\"><\/iframe><\/div>\n<\/div>\n<\/div>\n<div class=\"x-col e345107-175 m7eab-x\">\n<div class=\"x-text e345107-176 m7eab-z m7eab-10 m7eab-11 m7eab-1b m7eab-1c m7eab-1f\">\n<h3><strong>The Invasion<\/strong>\u00a0(2007)<\/h3>\n<p>Nicole Kidman offers a hopeful evolutionary view of civilization&#8217;s history and future. This was is the first time Ken Wilber was mentioned in a major motion picture!<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"x-row x-container max width e345107-177 m7eab-g m7eab-h m7eab-k m7eab-p m7eab-q m7eab-t\">\n<div class=\"x-row-inner\">\n<div class=\"x-col e345107-178 m7eab-x\">\n<div class=\"x-text e345107-179 m7eab-z m7eab-10 m7eab-11 m7eab-12 m7eab-13\">\n<div class=\"videoWrapper\"><iframe src=\"https:\/\/player.vimeo.com\/video\/638821293?color=31a3b7&amp;title=0&amp;byline=0&amp;portrait=0\" width=\"1200\" height=\"675\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\"><\/iframe><\/div>\n<\/div>\n<\/div>\n<div class=\"x-col e345107-180 m7eab-x\">\n<div class=\"x-text e345107-181 m7eab-z m7eab-10 m7eab-11 m7eab-1b m7eab-1c m7eab-1f\">\n<h3><strong>Star Trek: Discovery<\/strong>\u00a0(2020)<\/h3>\n<p>An example of Teal leadership as the Admiral displays a capacity to operate from multiple frames of moral reasoning, skillfully reframing and redirecting Captain Pike&#8217;s own Amber moral righteousness.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"x-row x-container max width e345107-182 m7eab-g m7eab-h m7eab-k m7eab-p m7eab-q m7eab-t\">\n<div class=\"x-row-inner\">\n<div class=\"x-col e345107-183 m7eab-x\">\n<div class=\"x-text e345107-184 m7eab-z m7eab-10 m7eab-11 m7eab-12 m7eab-13\">\n<div class=\"videoWrapper\"><iframe src=\"https:\/\/player.vimeo.com\/video\/638821334?color=31a3b7&amp;title=0&amp;byline=0&amp;portrait=0\" width=\"1200\" height=\"675\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\"><\/iframe><\/div>\n<\/div>\n<\/div>\n<div class=\"x-col e345107-185 m7eab-x\">\n<div class=\"x-text e345107-186 m7eab-z m7eab-10 m7eab-11 m7eab-1b m7eab-1c m7eab-1f\">\n<h3><strong>Team America: World Police<\/strong>\u00a0(2004)\u00a0<strong>[NSFW]<\/strong><\/h3>\n<p>An exceptionally crass, but surprisingly insightful look at how multiple stages interact and regulate each other \u2014 Red\/Amber (a**holes), Orange (d**ks), and Green (pu**ies).<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"x-row x-container max width e345107-187 m7eab-g m7eab-h m7eab-k m7eab-p m7eab-q m7eab-t\">\n<div class=\"x-row-inner\">\n<div class=\"x-col e345107-188 m7eab-x\">\n<div class=\"x-text e345107-189 m7eab-z m7eab-10 m7eab-11 m7eab-12 m7eab-13\">\n<div class=\"videoWrapper\"><iframe src=\"https:\/\/player.vimeo.com\/video\/641683393?color=31a3b7&amp;title=0&amp;byline=0&amp;portrait=0\" width=\"1200\" height=\"675\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\"><\/iframe><\/div>\n<\/div>\n<\/div>\n<div class=\"x-col e345107-190 m7eab-x\">\n<div class=\"x-text e345107-191 m7eab-z m7eab-10 m7eab-11 m7eab-1b m7eab-1c m7eab-1f\">\n<h3><strong>BONUS: Teal Video Games<\/strong><\/h3>\n<p>Teal games, at this point, are a bit hard to define, largely because it is still a newly emerging creative space. However, Corey and Ryan identify a couple qualities they look for at this stage \u2014 games that emphasize \u201cemergent gameplay\u201d, and games that consciously play with perspectives. Watch as we discuss some of the games that we enact and experience as Teal:\u00a0<strong>Dwarf Fortress<\/strong>,\u00a0<strong>Rimworld<\/strong>, and the classic\u00a0<strong>Alpha Centauri<\/strong>.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"x-section e345107-192 m7eab-1 m7eab-4 m7eab-5 m7eab-7 m7eab-e\">\n<div class=\"x-row e345107-193 m7eab-g m7eab-h m7eab-j m7eab-k m7eab-l\">\n<div class=\"x-row-inner\">\n<div class=\"x-col e345107-194 m7eab-x\">\n<div class=\"x-text e345107-195 m7eab-10 m7eab-11 m7eab-12 m7eab-13 m7eab-17 m7eab-18 m7eab-1g\">\n<h3>Turquoise (mature integral)<\/h3>\n<\/div>\n<hr class=\"x-line e345107-196 m7eab-1m m7eab-1u\" \/>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"x-row e345107-197 m7eab-g m7eab-h m7eab-j m7eab-k m7eab-v\">\n<div class=\"x-row-inner\">\n<div class=\"x-col e345107-198 m7eab-x\">\n<div class=\"x-text e345107-199 m7eab-z m7eab-10 m7eab-11 m7eab-12 m7eab-13\">\n<p><strong>Cognitive:<\/strong>\u00a0Late vision-logic (cross-paradigmatic)\u00a0<strong>\u00a0\u2022\u00a0 Worldview:<\/strong>\u00a0Mature integral\u00a0<strong>\u00a0\u2022\u00a0 Values:<\/strong>\u00a0Systemic (&#8220;global view&#8221;)<\/p>\n<p>Turquoise is a mature integral view, one that sees not only healthy hierarchy but also the various quadrants of human knowledge, expression, and inquiry (at the minimum: I, we, and it). While teal worldviews tend to be secular, turquoise is the first to begin to integrate Spirit as a living force in the world (manifested through any or all of the 3 Faces of God: \u201cI\u201d\u2014the \u201cNo self\u201d or \u201cwitness\u201d of Buddhism; \u201cwe\/thou\u201d\u2014the \u201cgreat other\u201d of Christianity, Judaism, Hindusm, Islam, etc.; or \u201cit\u201d\u2014the \u201cWeb of Life\u201d seen in Taoism, Pantheism, etc.).<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"x-row x-container max width e345107-200 m7eab-g m7eab-h m7eab-k m7eab-o m7eab-p m7eab-q\">\n<div class=\"x-row-inner\">\n<div class=\"x-col e345107-201 m7eab-x\">\n<div class=\"x-text e345107-202 m7eab-z m7eab-10 m7eab-11 m7eab-12 m7eab-13\">\n<div class=\"videoWrapper\"><iframe src=\"https:\/\/player.vimeo.com\/video\/638828807?color=31a3b7&amp;title=0&amp;byline=0&amp;portrait=0\" width=\"1200\" height=\"675\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\"><\/iframe><\/div>\n<\/div>\n<\/div>\n<div class=\"x-col e345107-203 m7eab-x\">\n<div class=\"x-text e345107-204 m7eab-z m7eab-10 m7eab-11 m7eab-13 m7eab-1h\">\n<h3><strong>The Matrix: Revolutions<\/strong>\u00a0(2003)<\/h3>\n<p>Integral films often excel at weaving transpersonal themes, multiple layers of symbolism, and spiritual states of consciousness together into something the public actually wants to watch. In this keystone scene from the third Matrix movie, Keanu Reeves discovers the transcendent golden &#8220;whoa&#8221; behind all things.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"x-row x-container max width e345107-205 m7eab-g m7eab-h m7eab-k m7eab-o m7eab-p m7eab-q\">\n<div class=\"x-row-inner\">\n<div class=\"x-col e345107-206 m7eab-x\">\n<div class=\"x-text e345107-207 m7eab-z m7eab-10 m7eab-11 m7eab-12 m7eab-13\">\n<div class=\"videoWrapper\"><iframe src=\"https:\/\/player.vimeo.com\/video\/638828899?color=31a3b7&amp;title=0&amp;byline=0&amp;portrait=0\" width=\"1200\" height=\"675\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\"><\/iframe><\/div>\n<\/div>\n<\/div>\n<div class=\"x-col e345107-208 m7eab-x\">\n<div class=\"x-text e345107-209 m7eab-z m7eab-10 m7eab-11 m7eab-13 m7eab-1h\">\n<h3><strong>Cloud Atlas<\/strong>\u00a0(2012)<\/h3>\n<p>Love transcends death \u2013 this is a recurring theme for many of these scenes, captured beautifully in this stunning soliloquy by Bae Doona. Integral artists often enjoy playing with the fundamental polarities and contradictions of existence \u2014 life and death, light and shadow, time and timelessness, unstoppable forces and immovable subjects.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"x-row x-container max width e345107-210 m7eab-g m7eab-h m7eab-k m7eab-o m7eab-p m7eab-q\">\n<div class=\"x-row-inner\">\n<div class=\"x-col e345107-211 m7eab-x\">\n<div class=\"x-text e345107-212 m7eab-z m7eab-10 m7eab-11 m7eab-12 m7eab-13\">\n<div class=\"videoWrapper\"><iframe src=\"https:\/\/player.vimeo.com\/video\/638828949?color=31a3b7&amp;title=0&amp;byline=0&amp;portrait=0\" width=\"1200\" height=\"675\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\"><\/iframe><\/div>\n<\/div>\n<\/div>\n<div class=\"x-col e345107-213 m7eab-x\">\n<div class=\"x-text e345107-214 m7eab-z m7eab-10 m7eab-11 m7eab-13 m7eab-1h\">\n<h3><strong>The Fountain<\/strong>\u00a0(2006)<\/h3>\n<p>Hugh Jackman gets enlightened. Again we find the familiar idea of a love that goes beyond death, reinforced by a cinematic integration of microcosm and macrocosm (another important polarity at this stage) as close-up shots of fluid dynamics and chemical reactions are used to represent the transpersonal clouds and currents of the subtle realm.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"x-row x-container max width e345107-215 m7eab-g m7eab-h m7eab-k m7eab-o m7eab-p m7eab-q\">\n<div class=\"x-row-inner\">\n<div class=\"x-col e345107-216 m7eab-x\">\n<div class=\"x-text e345107-217 m7eab-z m7eab-10 m7eab-11 m7eab-12 m7eab-13\">\n<div class=\"videoWrapper\"><iframe src=\"https:\/\/player.vimeo.com\/video\/641708993?color=31a3b7&amp;title=0&amp;byline=0&amp;portrait=0\" width=\"1200\" height=\"675\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\"><\/iframe><\/div>\n<\/div>\n<\/div>\n<div class=\"x-col e345107-218 m7eab-x\">\n<div class=\"x-text e345107-219 m7eab-z m7eab-10 m7eab-11 m7eab-13 m7eab-1h\">\n<h3><strong>BONUS: Turquoise Video Games<\/strong><\/h3>\n<p>Turquoise games are almost impossible to find. But we did find one that we think would qualify \u2014 an experimental game appropriately titled\u00a0<strong>Everything<\/strong>. Featuring multiple pointing-out instructions by Alan Watts, Everything is a deeply meditative game where perspective-taking is itself the central gameplay mechanic. The game allows you to inhabit the 1st-person perspective of just about everything in the universe, from subatomic particles to subtle spiritual archetypes, producing all sorts of interesting reflections and state experiences for the player.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"x-section e345107-220 m7eab-1 m7eab-3 m7eab-5 m7eab-f\">\n<div class=\"x-row e345107-221 m7eab-g m7eab-h m7eab-j m7eab-k m7eab-l\">\n<div class=\"x-row-inner\">\n<div class=\"x-col e345107-222 m7eab-x\">\n<div class=\"x-text e345107-223 m7eab-10 m7eab-11 m7eab-12 m7eab-13 m7eab-17 m7eab-18 m7eab-1i\">\n<h3><strong>Bonus Resources<\/strong><\/h3>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"x-row e345107-224 m7eab-g m7eab-h m7eab-i m7eab-q m7eab-w\">\n<div class=\"x-row-inner\">\n<div class=\"x-col e345107-225 m7eab-x\">\n<div class=\"x-text e345107-226 m7eab-z m7eab-10 m7eab-11 m7eab-12 m7eab-13\">\n<div class=\"videoWrapper\"><iframe src=\"https:\/\/player.vimeo.com\/video\/499939844?color=31a3b7&amp;title=0&amp;byline=0&amp;portrait=0\" width=\"1200\" height=\"675\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\"><\/iframe><\/div>\n<\/div>\n<div class=\"x-text e345107-227 m7eab-10 m7eab-11 m7eab-18 m7eab-1b m7eab-1f m7eab-1j m7eab-1k\">\n<h3><strong>Human Development<br \/>\n(As Told by Tom Cruise)<\/strong><\/h3>\n<p>A short compilation of film clips from each major stage, all featuring Tom Cruise.<\/p>\n<\/div>\n<\/div>\n<div class=\"x-col e345107-228 m7eab-x\">\n<div class=\"x-text e345107-229 m7eab-z m7eab-10 m7eab-11 m7eab-12 m7eab-13\">\n<div class=\"videoWrapper\"><iframe src=\"https:\/\/www.youtube.com\/embed\/r4jdxTUa8a8?wmode=transparent\" width=\"1200\" height=\"675\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\"><\/iframe><\/div>\n<\/div>\n<div class=\"x-text e345107-230 m7eab-z m7eab-10 m7eab-15 m7eab-1b m7eab-1f m7eab-1k m7eab-1l\">\n<h3><strong>Learn Integal By Playing Video Games<\/strong><\/h3>\n<p>Similar to the presentation above, but using video games instead of film clips to demonstrate the common qualities of each stage.<\/p>\n<\/div>\n<\/div>\n<div class=\"x-col e345107-231 m7eab-x\">\n<div class=\"x-text e345107-232 m7eab-z m7eab-10 m7eab-11 m7eab-12 m7eab-13\">\n<div class=\"videoWrapper\"><iframe src=\"https:\/\/www.youtube.com\/embed\/Yg8xTnk3Hyc?wmode=transparent\" width=\"1200\" height=\"675\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\"><\/iframe><\/div>\n<\/div>\n<div class=\"x-text e345107-233 m7eab-10 m7eab-11 m7eab-18 m7eab-1b m7eab-1f m7eab-1j m7eab-1k\">\n<h3><strong>Learn Integral By Watching Movies<\/strong><\/h3>\n<p>Corey deVos and Ryan Oelke discuss each of the clips above, and why they were selected for their corresponding stage.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>What Are the Stages of Development? Take a cinematic journey through the major stages of human development, using a series of 22 carefully-curated film clips (and more than 30 video games) to illustrate some of the most important qualities of each stage. Because these stages are so difficult to point to in our immediate experience, <a class=\"read-more\" href=\"https:\/\/sslorgmgmt.tonilamotta.com\/index.php\/integral-theory\/integral-at-the-movies\/\">Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":25,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-602","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/sslorgmgmt.tonilamotta.com\/index.php\/wp-json\/wp\/v2\/pages\/602","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sslorgmgmt.tonilamotta.com\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/sslorgmgmt.tonilamotta.com\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/sslorgmgmt.tonilamotta.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/sslorgmgmt.tonilamotta.com\/index.php\/wp-json\/wp\/v2\/comments?post=602"}],"version-history":[{"count":1,"href":"https:\/\/sslorgmgmt.tonilamotta.com\/index.php\/wp-json\/wp\/v2\/pages\/602\/revisions"}],"predecessor-version":[{"id":603,"href":"https:\/\/sslorgmgmt.tonilamotta.com\/index.php\/wp-json\/wp\/v2\/pages\/602\/revisions\/603"}],"up":[{"embeddable":true,"href":"https:\/\/sslorgmgmt.tonilamotta.com\/index.php\/wp-json\/wp\/v2\/pages\/25"}],"wp:attachment":[{"href":"https:\/\/sslorgmgmt.tonilamotta.com\/index.php\/wp-json\/wp\/v2\/media?parent=602"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}